11/25/2023 0 Comments Rode pro casterTo do this, navigate to the ‘Multitrack’ menu by going to ‘Settings’ > ‘Advanced’ > ‘Audio’ > ‘Multitrack’, then switch on the ‘Post Fader’ option. If you want your multitrack recording to include all of the processing from your RØDECaster Pro, as well as the fader positions, make sure you have ‘Post-Fader Mode’ engaged. You could even record a stereo mix of your podcast to microSD card while recording in multitrack to a DAW (or vice versa). This is handy for ensuring you have a backup of your podcast in case your computer crashes. Simply select ‘microSD Card’ as well as ‘USB’ in the multitrack advanced settings. The RØDECaster Pro is capable of recording in multitrack to a microSD and a DAW via USB simultaneously. Use the chart below to keep track of your channels and their assigned input numbers. This includes mono tracks for the microphone channels, plus stereo tracks for the main output, USB, smartphone, Bluetooth and sound pad channels – a maximum of 14 tracks in total.Įach track from the RØDECaster Pro can be assigned to a separate input in your DAW, starting with the complete stereo mix (Input 1 and 2) then going across the console from the microphone channels (Inputs 3-6) to the USB channel (Input 7 and 8), the smartphone channel (Input 9 and 10), the Bluetooth channel (Input 11 and 12) and the sound pads (Inputs 13 and 14). First you will need to switch on multitrack recording via USB by going to 'Settings’ > ‘Advanced’ > ‘Audio’ > ‘Multitrack’ and tapping on ‘USB’.ĭoing this will output the complete stereo mix of your podcast, plus every single channel on the RØDECaster Pro in individual tracks. When ‘Multitrack to USB’ is switched on, each channel on your RØDECaster Pro can be recorded onto its own track in your DAW, opening up infinite editing and mixing possibilities in post-production. In its default mode, the RØDECaster Pro will output a stereo podcast to the connected USB device, but you also have the option to record in multitrack. See the downloads section below for step-by-step walkthroughs on some of the other popular DAWs. For the sake of simplicity, we’ll be using GarageBand for this demonstration. Note: Depending on the kind of DAW you are using, the set-up and recording process may differ slightly. Now that you have your DAW set up on your computer, you’ll need to route the incoming audio from the RØDECaster Pro to the correct place. You can use the RØDECaster Pro with any DAW – we have extensively tested it with Audition, GarageBand, Logic Pro X, ProTools and Reaper, so we recommend using one of these DAWs. In order to record the audio to your computer, you will need to download and use a digital audio workstation (DAW). Learn more about connecting online guests and callers here. Remember, you can use this set up to integrate online guests into your podcast via Zoom or any communications app. Selecting ‘RODECaster Pro Stereo’ as your input and output device will establish an audio connection between the RØDECaster Pro and your computer. Below, we’ll walk through each processor and how it can be used.Once connected, the RØDECaster Pro will appear as an audio device in the sound settings on your computer. Each processor will now have granular controls and functions available. To access these controls, simply tap on a channel button and tap on ‘Audio Processing’. Once switched on, each microphone channel will have additional options for all its processors. To turn on ‘Effects Edit Mode’, press ‘Settings’ > ‘Advanced’ > ‘Audio’ > ‘Processing’ and press on the slider for ‘Effects Edit Mode’. Once turned on, 'Effects Edit Mode' will allow full control of the inbuilt high-pass filter, noise gate, de-esser, compressor and the legendary APHEX Aural Exciter and Big Bottom processors. ‘Effects Edit Mode’ will unlock the full extent of the RØDECaster Pro's processing capabilities. In its default mode, the RØDECaster Pro has some excellent one-button effects and processing that make this an incredibly simple process check out the section on setting up microphones to learn how to use them.īut for those who want more control over the tools involved, there is another option. Effects and processing can be used to bring a whole new level of professional “shine” to your podcast.
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